Tokiko’s mother died 20 years ago and her father Tetsuya is now in his 70's. Her father has a free spirit and is cute. Tokiko is in her mid 40's and still single. She has a strong personality. In their past, Tokiko and Tetsuya did not have a good relationship. It got so bad that they almost ended their relationship, but now they occasionally meet. They go out to eat together and have conversations.Tokiko decides to publish an essay about her father Tetsuya. To collect information for her essay, she meets Tetsuya and listens to various stories, but it's not just pleasant memories.

户外广告监测员岳悦（周雨彤 饰）的34岁，被病痛和失意填满：卵巢早衰、重度痛经磨掉精神，与母亲的疏离、职场的倦怠，让她活得像“空心人”。直到一只流浪狗的出现才发生了转机——她叫它“珍珠”，一人一狗的琐碎日常，让她逐渐找回“生活”的实感，而此时“珍珠”的原主人窦胜（屈楚萧 饰）突然出现要讨回狗，因“珍珠”结缘的训犬师陈普哲（陈昊森 饰）若即若离又让她感到不安。岳悦站在人生抉择的岔路口：是退回从前的麻木，还是拼尽全力抓住自己所爱之物？ 　　最终，她能否学会以“珍珠”之名重新养育自己。

A stray dog named "Pearl" (the owner's forgotten childhood nickname) helps the 34-year-old owner step out of her comfort zone and embrace a broader life, only for a custody battle to ensue when the dog's original owner reappears.

一名聋哑人与儿子无意目睹了一场凶杀案，他们必须为此杀出一条血路。印度尼西亚导演连建民自编自导的长片处女作，声效剪辑师出身的他发挥特长，以特殊声音模拟主观听觉，接近聋哑人世界。本片以双线结构展开，借由光怪陆离的人偶梦魇直抵个人童年心理创伤，通过略带超现实的笔触将惊悚与冷幽默有机结合，大胆变换色调，肆意玩转画幅变化与多屏画面分割，展现“黑吃黑”的现实荒诞性，明快的剪辑风格杂糅印尼传统格斗术，带来一场愤怒父子逃亡路。

一名聋哑人与儿子无意目睹了一场凶杀案，他们必须为此杀出一条血路。印度尼西亚导演连建民自编自导的长片处女作，声效剪辑师出身的他发挥特长，以特殊声音模拟主观听觉，接近聋哑人世界。本片以双线结构展开，借由光怪陆离的人偶梦魇直抵个人童年心理创伤，通过略带超现实的笔触将惊悚与冷幽默有机结合，大胆变换色调，肆意玩转画幅变化与多屏画面分割，展现“黑吃黑”的现实荒诞性，明快的剪辑风格杂糅印尼传统格斗术，带来一场愤怒父子逃亡路。

为了完成母亲的遗愿，珍珠姐打算在一个月内，也就是自己四十岁生日前找到一个男朋友。这个时候，她的工作也陷入了低潮期，她感觉到了焦虑和失眠的痛苦。…

奎诺和胡安娜是一对辛苦的渔民夫妻，有一个可爱的儿子。在一次出海过程中，他们意外的发现一颗完美的珍珠。也因此憧憬着未来的美好生活，可是事情发展并不像他们期待的那样。 　　费尔南德兹的"生活三部曲"之二。这部杰出的影片是墨西哥电影黄金年代璀灿的一颗珍珠，Gabriel Figueroa优美的黑白摄影在本片中达到了顶峰，影片如诗如画令人难忘。1949年金球奖最佳摄影，1947年威尼斯电影节最佳摄影及最佳影片金狮奖

奎诺和胡安娜是一对辛苦的渔民夫妻，有一个可爱的儿子。在一次出海过程中，他们意外的发现一颗完美的珍珠。也因此憧憬着未来的美好生活，可是事情发展并不像他们期待的那样。 　　费尔南德兹的"生活三部曲"之二。这部杰出的影片是墨西哥电影黄金年代璀灿的一颗珍珠，Gabriel Figueroa优美的黑白摄影在本片中达到了顶峰，影片如诗如画令人难忘。1949年金球奖最佳摄影，1947年威尼斯电影节最佳摄影及最佳影片金狮奖

La Perle (The Pearl), 1929. 35 mm., black and white, 20'. 　　Henri d'Ursel's only film is inspired by surrealism. Its principal protagonist, Georges Hugnet, also wrote the scenario, an adaptation of Feuillade's film serials. 　　Henri d'Ursel was a Belgian film director and writer. He lived in Paris during the 1920s, at the height of the surrealist and avant-garde movements. In 1929 he wrote La Perle, under the pseudonym "Henri d'Arche", based on a story by Georges Hugnet. Returning to Belgium, in 1937 d'Ursel founded Le Prix de l’Image, a precursor to film festivals of experimental cinema. At the outbreak of the second world war, he founded Le Séminaire des Arts, a prestigious Belgian film club, and precursor of the Musée du cinéma de Bruxelles. D'Ursel was a friend of both Charles Dekeukeleire and Henri Storck. He was for 25 years vice-president of the Belgian Royal Film Archive.